I stumbled across this fascinating video by National Geographic, about a fellow in Sweden who practices “wild ice skating.” The sounds are otherworldly.
An occasion for reflection and gratitude
Over the twenty-eight years that I’ve been a naturalized New Englander, I’ve developed a personal tradition: every year, I must artisanally hand-shovel the first snowfall. In fact, I try to avoid using a gasoline-powered snowblower for as long as I can into the season. This ceases to be practical after the second or third foot of snow has fallen in as many weeks, which eventually does happen.
This year the first real snowfall came pretty late—December 28th. (I’m not counting the flurries that flew early in October.) We didn’t get a deep accumulation—it was only three or four inches. But what little fell was wet, heavy as bricks, and covered with a brittle crust of ice, leading me to question the wisdom of shoveling the whole driveway by hand (and by back). But I forged ahead and did my work, and in the process reminded myself of why I had concocted my silly tradition in the first place.
It had something to do with being rugged and stoic in the face of daunting odds and conditions, which I’ve romanticized as a New England trait. It also puts me in touch with an earlier, more thoughtful, less mechanized way of doing things. We live in such a privileged, materialistic society that makes it so easy to step on a pedal and end up miles from where we were half an hour ago. In this light, I think it is so important to maintain a perspective that honors the laws of physics and the idea that what goes up must come down. Whatever seems easy (like pushing a button and starting an orange robot that makes easy work of snow removal) must be paid for somewhere else in the universe, probably by some innocent butterfly whose only crime was flapping its wings.
So I return to my shoveling, thinking these deep thoughts, fancying myself some kind of modern-day Thoreau, “wishing to speak a word for Nature.” But I burst my own bubble when I catch myself grumbling about how hard it is to live in a place that experiences extreme winters. (I’m sure that my friends in Wisconsin, Minnesota, and Manitoba will chuckle at this characterization of Massachusetts.) There’s always a five-to-ten-foot strip where the driveway meets the road, where big plow trucks throw salty slush, adding the snow from the road to the snow already on your driveway, gluing everything together into a giant block of concrete, and turning your evening into a major excavation project.
But the complaining reflex doesn’t last for long, as I snap back to the perspective of how fortunate and grateful I am. After so many years of struggling and wanting, I finally have a driveway TO shovel. And I think about people in Missouri and Louisiana whose homes are being flooded, and worry about them. I think about people who are being held captive, even if it’s a prison of their own making—a mental scaffolding of religious fanaticism, political fervor, or lust for attention. And my heart goes out to them, and hopes that one day they will find peace within themselves. I think a lot about people who face health challenges, and all the associated pain. My heart goes out to everyone in the world who is suffering, and it makes my little mountain of ice seem so inconsequential.
And I return to my shoveling.
Of all the crazy things that kids from Massachusetts do, this is one of my favorites.
When you hear the words “rope swing,” you may think of a hot summer day. Maybe you envision lolling at your local swimming hole, swinging from a shade tree and plunging into the cool water below. But what if it’s that time of year when the days are short, it’s freezing outside, and your favorite pond is covered with a thick layer of ice? Watch as a young skater from Easthampton, Massachusetts demonstrates that a rope swing can be enjoyed in the wintertime too. I tried this swing a few times myself, and it was a blast.
I had captured the raw footage in 2010, but until recently it had sat on my hard drive taking up space and gathering digital dust, as so many other movie clips do. I want to make more movies, but sitting down to teach myself the filmmaking craft requires a level of commitment that until recently I hadn’t made. It’s further complicated by one of my new resolutions: to be more mindful about the amount of time I spend in front of glowing screens. But facility with the filmmaking medium seems like an important attribute for a visually-oriented communicator to develop, so I’m biting the bullet and sacrificing a few more hours to the cause.
Sure, this film may be a little crude: the stylized cloud shapes in the title sequence are cheesy ready-mades from the Final Cut library. The funky Duality typeface (by one of my favorite type designers, Ray Larabie) pairs well with the clouds, but probably isn’t the best fit for the overall subject matter. The choice of music doesn’t particularly support the narrative, either, but I wrote and recorded it, so at least my intellectual property karma is clean.
Who knows, maybe if I allow myself to play more freely and unselfconsciously, and embrace a few inconsistencies, I will grow artistically, and will develop an authorial voice and a stronger narrative vision. The important thing is that I keep doing the work, sharing the work, and learning to use the tools. Meaning can emerge.
I am trying to get over being such a perfectionist that I never publish anything. Hopefully the more I do this, the more comfortable I will become with letting my awkward learning process show. Thank you for indulging me. Your encouragement is appreciated. I hope you enjoy this sketch.