All apologies to the late George Herbert for appropriating his title. But it’s an apt approach to weathering the crazy and noisy political zeitgeist of 2017. Of course it’s important to stay concerned, informed, and involved. But it’s also important to practice fierce self-care, to stop to smell the roses, and to remove oneself from the fray frequently, in order to recharge the batteries.
These photos I’ve taken remind and reassure me that the world is still a beautiful and incredible place.
Lower Mill Pond. A new edit of a 2013 photo.
Along a Holyoke canal.
Morning on the canal.
Factory on the canal.
A little snow.
View from the porch.
Blueberries and clouds.
Closed for the season.
More pond hockey.
Fresh Pesto, just because.
Florence Pie Bar.
Dried Roses, Detail.
This was tempting, on an unseasonably warm day.
Lawrence Swamp, Mt. Norwottuck
Evidence of beaver in Lawrence Swamp.
Homemade chewy granola bars.
Happy Lunar New Year 2017
Pre-game pizza in Boston’s North End.
18-20 inches, I reckon.
Sledding and sliding.
Playing in the snow.
Evidence of woodpecker in the Granby woods.
Snowshoeing, and putting a new lens through its paces.
Snowshoeing, and putting a new lens through its paces.
Vimeo—one of the services where I host my videos—offers a recurring workshop they call the Weekend Challenge. The 2016 Memory Bank episode challenges filmmakers to create a short film (under 3 minutes) out of their orphaned video clips from the year.
Until I learned about this assignment, I hadn’t given much thought to how many videos I’d recorded incidentally over the course of the year, nor whether they would fit together into a coherent narrative. I was surprised to discover that yes, they did. I hadn’t done very much work in this “video montage” style, so it was a new and interesting challenge.
I’d also never begun a movie project with the music. Previously, I had only added music to films after making the video part, like adding spices or a garnish to a meal. But using that approach has often resulted in movies where the music seemed like a poor fit or an afterthought.
This time around, I approached the project as a music video. (I was a big fan of MTV back in the early 1980s.) I started by writing and recording the music using Apple’s GarageBand software, overdubbing piano, synthesizer, and drum loops.
Then I imported the song into the Final Cut Pro video editing software, and added video clips to the song’s rhythmic timeline (versus the other way around). I liked this approach—it shifted my way of thinking and got me out of a couple of ruts I had slipped into.
I’m not exactly sure of the overarching theme among the clips. In 2016 I traveled more than usual. I had surgery. I got sick a couple of times. I had a good year at work and some pretty great times with family and friends. I got outdoors and did some hiking and bicycling. I played hockey. I grew some amazing garlic. I made sprouts. I learned to roast my own coffee. I took a bunch of photos and movies. I made four paintings. I published. I tried to improve. I learned some new technological skills. All the while a relentless and dissonant political battle raged in the background. My team lost, twice.
Perhaps the theme is one of continuing to be kind, creative, resilient, graceful, and happy despite the challenging nature of the times. Or maybe the lesson is simply to focus on the good stuff in life, because there really is so much of it to be enjoyed and shared. Hopefully this short film captures some of the happy highlights.
A few years ago I set about to make a series of hand-painted canvas tote bags. I ordered a couple dozen plain canvas bags online. I drew up a simple, happy, graphic image that seemed like it would be easy to reproduce. I cut out a paper stencil so that I could transfer the drawing consistently from bag to bag. I cleared all the flat surfaces in my studio. Then I got busy making the acrylic paintings.
My original intention had been to put these on Etsy, sell a bunch of them, and fund my next art project. But they languished in my Etsy shop, and I never sold a single one. I ended up giving most of the bags away to friends and family members, and of course I’ve kept a couple for my own use. I may have one or two left; if you want one, please get in touch.
The photo gallery below shows the process I devised to make the paintings. Instead of painting each bag’s image from start to finish, I used the mass-production approach: I performed each step on all of the bags before proceeding to the next step. So for example, first I painted a rectangle of white primer (gesso) onto each of the bags and let it dry. Then I stenciled my sketch onto each of the bags. Then I painted the blue sky onto each of the bags. And so on. The later detail steps were a bit more improvisational, so there are minor differences among the paintings that hopefully add some character.
Update November 13, 2016: I took down the show. I have updated the tenses in this post to reflect the new reality.
I exhibited some of my photographs at Mt. Tom’s Homemade Ice Cream in Easthampton, Massachusetts, October 8th through November 11th, 2016. There was an opening reception on Saturday, October 8th (as part of Easthampton’s monthly Art Walk). I loved seeing you there!
Peach Blossoms and Bee
Mt. Sugarloaf, South Deerfield, MA
Town Common, New Salem, Massachusetts
Snow Farm in Autumn
View from Mt. Sugarloaf
View from a Bridge
Portland Head Light, Cape Elizabeth, Maine
Gnomes Live Here
Connecticut River in Hadley
Another Forestdale Lane
Feel the Fields
I like to take photos involving outdoor scenes, trees, water, earth, and sculpted clouds. These days I share a lot of my work online, but it has been a while since I’ve shown the physical artifacts of the process. When my friend and fellow artist Jim Ingram asked me if I’d like to show my work at his ice cream shop, I said yes.
Originally I was going to show paintings. I’ve made a few of those over the past couple of years, but not enough to fill a whole show. Later, I thought that I might show a mix of a few paintings and a few prints. But after reviewing my whole available body of work, I decided to narrow the focus to one medium, and stick to photos. I’m glad I did, because in this case it made for a more cohesive show. The prints for this show were all either 12 by 12-inch squares, or 11 by 14-inch rectangles.
Please enjoy the gallery above, which offers a glimpse of the photos that were in the show. Please get in touch if you’d like to buy one. Soon I will be listing them in my Etsy shop.
I’ve been enjoying taking photos at night and at the blue hour, using my Olympus camera, a tripod, and a long exposure. The time of day (9:10 p.m.) was the crucial element in this shot, because at this time of year, at my latitude, there’s still enough ambient light to take a four-second exposure that reveals some details in the landscape.
Moreover, with the sun already sunk below the horizon, the sky’s light is predominantly blue in hue, which makes a nice cool counterpoint for the warmer LED light that spills out from my barn through windows and cracks between the boards, illuminating swaths of grass and garden.
This was a fun shot to make. The photo makes it appear as if all of the fireflies are lit at the same time. In actuality, I set up a long, tripod-mounted exposure, and individual fireflies may have been represented multiple times.
In order to illuminate the peach trees and the rhubarb patch in the foreground, I walked around the perimeter of the scene with a flashlight while the camera’s shutter was open, reflecting diffuse light off a lawn chair turned on its side. I had to take a few shots to get the exposure just right. This one took about a minute and a half, as I recall.
I love the unexpected results of this kind of shot—it reminds me to appreciate the photography of yore, when long exposures were necessary under even the brightest conditions, and a degree of uncertainty was the norm.
I’m sure that some of the fireflies appear in the photo not because of their own phosphorescence, but because they are being lit from the side by my flashlight. The glowing effect is magical nonetheless, and hopefully it captures the spirit of an early summer evening.
Over the twenty-eight years that I’ve been a naturalized New Englander, I’ve developed a personal tradition: every year, I must artisanally hand-shovel the first snowfall. In fact, I try to avoid using a gasoline-powered snowblower for as long as I can into the season. This ceases to be practical after the second or third foot of snow has fallen in as many weeks, which eventually does happen.
This year the first real snowfall came pretty late—December 28th. (I’m not counting the flurries that flew early in October.) We didn’t get a deep accumulation—it was only three or four inches. But what little fell was wet, heavy as bricks, and covered with a brittle crust of ice, leading me to question the wisdom of shoveling the whole driveway by hand (and by back). But I forged ahead and did my work, and in the process reminded myself of why I had concocted my silly tradition in the first place.
It had something to do with being rugged and stoic in the face of daunting odds and conditions, which I’ve romanticized as a New England trait. It also puts me in touch with an earlier, more thoughtful, less mechanized way of doing things. We live in such a privileged, materialistic society that makes it so easy to step on a pedal and end up miles from where we were half an hour ago. In this light, I think it is so important to maintain a perspective that honors the laws of physics and the idea that what goes up must come down. Whatever seems easy (like pushing a button and starting an orange robot that makes easy work of snow removal) must be paid for somewhere else in the universe, probably by some innocent butterfly whose only crime was flapping its wings.
So I return to my shoveling, thinking these deep thoughts, fancying myself some kind of modern-day Thoreau, “wishing to speak a word for Nature.” But I burst my own bubble when I catch myself grumbling about how hard it is to live in a place that experiences extreme winters. (I’m sure that my friends in Wisconsin, Minnesota, and Manitoba will chuckle at this characterization of Massachusetts.) There’s always a five-to-ten-foot strip where the driveway meets the road, where big plow trucks throw salty slush, adding the snow from the road to the snow already on your driveway, gluing everything together into a giant block of concrete, and turning your evening into a major excavation project.
But the complaining reflex doesn’t last for long, as I snap back to the perspective of how fortunate and grateful I am. After so many years of struggling and wanting, I finally have a driveway TO shovel. And I think about people in Missouri and Louisiana whose homes are being flooded, and worry about them. I think about people who are being held captive, even if it’s a prison of their own making—a mental scaffolding of religious fanaticism, political fervor, or lust for attention. And my heart goes out to them, and hopes that one day they will find peace within themselves. I think a lot about people who face health challenges, and all the associated pain. My heart goes out to everyone in the world who is suffering, and it makes my little mountain of ice seem so inconsequential.
There was a tree in my yard that was leaning about 20 degrees off its vertical axis. Years ago—maybe decades—someone who lived here before me had apparently used this poor tree as a fencepost. There was a three-inch wide ring carved out of the bark a couple of feet above the ground, extending around the girth of the tree. I feared that someday a combination of heavy snow and strong wind would bring the tree crashing down, crushing one or more of my peach trees, and possibly taking out a corner of my barn. I knew I needed to fell the tree, before it fell on its own terms. Because of its height, I knew I needed to take the tree down in sections.
I thought about calling a professional tree service, but in the spirit of Matthew B. Crawford’s excellent book Shop Class as Soulcraft—wanting to be “a master of my own stuff”—I set about to do the job on my own. I already had the necessary tools on hand, and I didn’t want to spend money on something I thought I could reasonably do on my own. (Don’t worry, when I need a new roof I will call a pro.) I won’t lie—there were moments when I questioned the wisdom of doing this job myself. But now it is done, and I am pleased with how it turned out. I filmed the process and edited it down to a bite-sized nugget of a film, which I hope you enjoy.
Now, if you’ll excuse me, I need to go:
Take a shower
Sharpen my chainsaw blade (there’s a rotary tool bit for that)
Make dozens of wood-burned log slice trivets as gifts for my friends and family (and for my Etsy shop)
I’ve come out of retirement. I’m playing hockey again, and loving it.
In an earlier post, I announced my retirement from the hockey league I’d been playing in for several years. Well, that didn’t last very long. No sooner had my equipment dried than I’d developed a hankering to skate again. I’ll stop short of saying that hockey is an addiction. But I will say that I had sorely underestimated its importance in my life.
Previously I had adopted the view that I was getting older, my body was becoming more frail, and I needed to protect myself from physical harm. While this may be true, it’s even more important that I work hard to counteract the perils of a sedentary desk job, and exercise intensely so that my heart stays strong. Playing hockey does this. I would argue that hockey also teaches virtues that can be applied in life outside the rink: balance, patience, sacrifice, teamwork, humility, effort, effort, and more effort.
The key for me has been to find an independent group less rough and competitive than the league I had been playing in previously. Thankfully, I have found such a group.
We all dress together, and teams are formed anew every time we skate. There is greater variety, and more camaraderie than competitiveness. The level of play is as high as I’ve ever known, but the stakes are lower. We don’t keep score, and there are no penalties or referees. We’re simply a bunch of adults who are out to have fun, and prove nothing.
Update, March, 2017: I sustained enough minor sprains and injuries in the 2016–2017 season that I’m considering stepping down from organized play again. The realities of an aging body are upon me. Henceforth I plan to continue to play pond hockey, go to public “puck time” sessions at local rinks, and go to public skating sessions as often as possible.
Of all the crazy things that kids from Massachusetts do, this is one of my favorites.
When you hear the words “rope swing,” you may think of a hot summer day. Maybe you envision lolling at your local swimming hole, swinging from a shade tree and plunging into the cool water below. But what if it’s that time of year when the days are short, it’s freezing outside, and your favorite pond is covered with a thick layer of ice? Watch as a young skater from Easthampton, Massachusetts demonstrates that a rope swing can be enjoyed in the wintertime too. I tried this swing a few times myself, and it was a blast.
I had captured the raw footage in 2010, but until recently it had sat on my hard drive taking up space and gathering digital dust, as so many other movie clips do. I want to make more movies, but sitting down to teach myself the filmmaking craft requires a level of commitment that until recently I hadn’t made. It’s further complicated by one of my new resolutions: to be more mindful about the amount of time I spend in front of glowing screens. But facility with the filmmaking medium seems like an important attribute for a visually-oriented communicator to develop, so I’m biting the bullet and sacrificing a few more hours to the cause.
Sure, this film may be a little crude: the stylized cloud shapes in the title sequence are cheesy ready-mades from the Final Cut library. The funky Duality typeface (by one of my favorite type designers, Ray Larabie) pairs well with the clouds, but probably isn’t the best fit for the overall subject matter. The choice of music doesn’t particularly support the narrative, either, but I wrote and recorded it, so at least my intellectual property karma is clean.
Who knows, maybe if I allow myself to play more freely and unselfconsciously, and embrace a few inconsistencies, I will grow artistically, and will develop an authorial voice and a stronger narrative vision. The important thing is that I keep doing the work, sharing the work, and learning to use the tools. Meaning can emerge.
I am trying to get over being such a perfectionist that I never publish anything. Hopefully the more I do this, the more comfortable I will become with letting my awkward learning process show. Thank you for indulging me. Your encouragement is appreciated. I hope you enjoy this sketch.
A short film paying tribute to one of my favorite activities, pond hockey
When I visit my family down South, sometimes I get asked how I tolerate the cold winters of my current New England home. I suppose the answer has something to do with the lesson of survival in the face of adversity. Yes, a cold climate can be inconvenient, depressing, and uncomfortable; but there are ways to adapt. Snow tires, hats, boots, layered clothes, and positive attitudes make a remarkable difference in one’s ability not only to survive winter, but to thrive in it.
Enjoying outdoor activities is another way to avoid the winter “blahs.” Water freezes, so we skate on it. Snow falls, so we don skis, snowboards, or snowshoes and make the best of it. Taking photographs allows us to share winter’s stark, pristine beauty abstracted from its messiness.
In this short movie that I filmed on on Lower Mill Pond, my buddy Matt Waugh and I enjoyed some pond hockey on a patch of ice that I had just cleared of snow. The temperature that day never rose above 21° Farenheit, but was I cold? Not at all. In fact, after shoveling continuously for three hours, I was overheated. The ensuing fun made all the hard work worthwhile.