This song is a conversation across time between a present-day, reasonably happy and well-adjusted protagonist and his pseudo-suicidally-depressed earlier self.
The mature version reaches back over the decades to hopefully assure the younger version that circumstances can and will get better. But there’s a subtext that darkness—and the neurochemical reality of depression—lurks in the shadows, and can return unexpectedly if not managed.
If you want to hear just the song without the video, you may find it on Apple Music, Spotify, or CD Baby. (It may also be available on other streaming music services.)
Below are the lyrics. You may also see these in the context of the song if you enable closed-captions in the video above.
Pictures from Bridges
A million years ago you grappled with your plight
The existential pain of a life
The Great Unknown was nigh
And complications were running high
You contemplated darkening night with your flight
But something turned you back to the light
A premonition of the hope and joy that were to come
Your people and your purpose here
Now, like a tree, you know
Seasons are the way it goes
Riding out your storm while you sing to the breeze
A lovesong that you learned from the night
Pictures from bridges overgrown
Memory of a future unknown
Song of a million years ago
Painted in a cave in Lascaux
Pictures from bridges made of stone
Pictures from bridges haunt me
Pictures from bridges haunt me
Ode to a sleepy little village in Western Massachusetts.
Three Rivers is a sleepy little village in Western Massachusetts, a few miles down the road from where I live. Right in the middle of the village, the Ware River and the Quaboag River (pictured above) flow together and form the Chicopee River, thus giving the place its name. I’m not sure why it wasn’t called “Four Rivers”—less than a mile away the Swift River flows into the Ware River.
Many years ago in an earlier chapter of my life, I had considered moving here. At the time I was in need of a home base that would allow reasonable access to both Boston to the east, and the heart of the Pioneer Valley to the west. The plan never materialized—I ended up living in Easthampton for the ensuing dozen years. But over the years Three Rivers stayed lodged in the back of my mind as a little bookmark or touchstone of a “road not taken.”
Recently I had some business to do at a nearby hospital. As a result, I had occasion to pass through Three Rivers a few times over the course of a month. I took advantage of the opportunity to get out on foot, and I explored and reminisced a bit. I wondered again what I ever saw in the place.
One could say that Three Rivers is a bit depressed, economically and culturally. There’s not much going on here. There are many seemingly empty storefronts. But the local liquor store seems to stay afloat. Like many towns in the area, it sports a couple of dilapidated 19th century mills that mingle with modest homes and tenement houses in varying stages of disrepair.
But as unassuming and downtrodden as Three Rivers is, there is still something magical about it. I mean, come on—the place has three rivers in it! (Four, if you count the Swift.) And it’s somebody’s hometown, so it must be special. I’ll bet there are many people living here who actively appreciate the lack of culture and hubbub.
A few miles downstream the Chicopee River flows into the Connecticut River, which eventually flows on into the Atlantic Ocean. The Atlantic Ocean evaporates, and it rains in Three Rivers. The cycle repeats. It’s all one water, really.
There’s a lot that can be said about the year 2017. I prefer to focus on the positive, and it’s easier for me to do so through images than words. So here’s a gallery of photos I took in 2017. Many of these images I’ve already posted on Facebook or Instagram, but it’s nice to have them all together here in a commercial-free environment. I hope you enjoy them.
Recently, for personal enrichment, I completed an online photography course taught by the legendary artist Annie Leibovitz. I am enjoying learning more about photographing people, and I’m looking forward to taking my photography to a new level in 2018.
Interested in purchasing prints or a license to republish any of these photos? Get in touch.
One of my favorite things about the place where I live: the awe-inspiring colors of foliage and sky
There is so much to be thankful for. This time of year, one of the things I am most thankful for is New England, the place where I live. The colors of the foliage and the sky are awe-inspiring. They make me want to paint.
I took this photo of Easthampton, Massachusetts from the Log Cabin, a banquet hall atop Mt. Tom, in neighboring Holyoke, Massachusetts.
A portrait of a house in Northfield, Massachusetts, under a blanket of freshly-fallen autumn leaves.
Classic Americana, New England style: an old white house in Northfield, Massachusetts, under a blanket of freshly-fallen autumn leaves. I love the sense of austerity imparted by the arched windows and the weathered shutters.
Two maple trees at Mt. Pollux in South Amherst, Massachusetts.
You would be hard-pressed to convince me that there is anything more gloriously beautiful than autumn in New England. Each of the seasons has its own particular beauty, but October—my favorite month—ushers in a perfect convergence of climate, emotion, and color.
The heat of summer tapers off and is replaced with a cooler ambient temperature. Gardeners lay their gardens to rest, and people and animals alike batten down the hatches in preparation for the winter to come. Dramatic, blustery clouds and azure skies set a pensive mood. Golden afternoon light illuminates resplendent, fiery colors that the region’s trees produce. All of this is draped over a stunningly-gorgeous landscape and an all too fleeting American Gothic architectural style. By mid-month, invigorating breezes will whip up the leaves that will have fallen. Crisp, sweet smells of composting leaves will waft about. And by the end of the month the show will be over.
One of the places that I most love to visit during this season is Mount Pollux, located in South Amherst, Massachusetts. Formerly an apple orchard, Mt. Pollux is a little knob just north of Mt. Norwottuck, the highest mountain in the Holyoke Range. It is a very romantic, dreamy, energetic place. I wouldn’t be surprised if it sits atop an intersection of some of the earth’s ley lines. Many weddings have taken place here. Doubtless many young romantics have wooed each other on its flanks. Many hands have been held, many picnics have been consumed, and many kites have been flown. I brought my Dad here when he visited many moons ago, and we ceremoniously remembered our departed loved one.
One of the unique features of Mt. Pollux is that from the top, on a clear day, you are treated to a nearly unobstructed, 360-degree view of the surrounding land, which includes the Connecticut River Valley (a.k.a. the Pioneer Valley) and mountains as far away as New York, Vermont, and New Hampshire. You can’t see Connecticut to the south, because the majestic Holyoke Range stands in the way. And you can’t see Rhode Island because it’s just so darn small.
Another unique feature of Mt. Pollux is its centerpiece: the two maple trees at the top. I have been told that some students from nearby Hampshire College refer to the place simply as Two Trees, which makes perfect sense.
Calling it Mt. Pollux makes sense too, as the trees embody an energy of “two-ness.” Recursively underscoring this theme, there is also a Mt. Castor in the area, but it is harder to find.
In Roman mythology, Castor and Pollux were the Gemini (twin) brothers. As astronomy buffs will tell you, the constellation Gemini comprises the twin stars Castor and Pollux. (Incidentally, my aforementioned brother Trevor was born under the astrological sign of Gemini.)
One thing I like about these two trees is that they seem to tell a story. They are not classically “perfect” maple specimens. They are unusual and asymmetrical. They are a little bit messy, not unlike life itself. The tree on the left sports a protrusion that reaches out to cover a corresponding chunk that is missing from the tree on the right. Both of the trees lean away from each other, but they seem to be relating. Is the one on the left reaching out to help one on the right, which has been injured in an ancient lightning strike or ice storm? Or is it more of an antagonistic gesture, as might befit a bickering old couple? Is it presumptuous to anthropomorphize them thusly?
If you have a chance, visit Mt. Pollux and decide for yourself! In the meantime, please enjoy this photograph.